| 2009 |
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Mech and Tech series : See-through chemical lace embroidery shows what ticks. |
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 Watchspring |
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Pleated Weave series : Our patented "origami pleat" emulated in woven folds. |
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 Woolygami & Polygami |
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| 2008 |
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Kibiso series : Fabrics woven with kibiso, a rough silk by-product from the hard outer shell of the cocoon. |
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 Streaks and Steps |
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Swing series : Embroidered with gaily swinging fringes. |
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 Swinging Squares |
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| 2007 |
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Phosphorescent series : Fabrics woven with glow-in-the-dark threads that store sunlight. |
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 Baby Hairs |
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Floated Weft Series : A wool double-weave with a grid pattern of protruding cords. |
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 Kumihira Grid |
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| 2006 |
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Nuno Circle series : Fabrics woven with fully recyclable Eco Circle polyester fibres developed by Teijin Ltd. |
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 Medusa |
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Shirr Cut series : Intermittently floated wefts are cut into fringes from the underside.
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 Water Chestnut |
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| 2005 |
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Cut Fringe series : Woven with two different kinds of warps, one of which is cut into fringes. |
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 Windbreak |
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Heat Cut series : A net-like fabric made by slit-melting polyester with a heat cutter. |
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 Tanabata |
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| 2004 |
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Nuno Tsunagi series : Here we have patched together chips of various different NUNO fabrics, all by hand. A plain, but comforting design. |
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 Nuno Tsunagi |
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 Nuno Kasané |
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| 2003 |
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ReTex series : Oshima tsumugi is a silk fabric born of the natural bounty of Amami Oshima Island. Weaving, however, yields leftover "waste" thread, which we collect, re-spin and used to make new thread. |
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 ReTex Oshima |
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Konnyaku series : Woven with cotton threads stiffened with a konnyaku yam paste coating. |
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 Tiggy |
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| 2002 |
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Shutter series : Strips of nylon tape stitched into all-over patterns. |
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 Paper Roll |
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Loop Velvet series : Woven on an antique loop velvet loom that wire-cuts the pile. |
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 Acorn |
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| 2001 |
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Ecological series : Experiments with biodegradable maize fibre and other "miracle" eco-synthetics. |
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 Green Fabric |
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Bamboo series : Fabrics made from processed bamboo fibres. |
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 Brush Bamboo |
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| 2000 |
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Burner Dye series : High-tech stainless steel meets "primitive" flame-tempered iridescence. |
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 Burner Dye |
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Origami Weave series : A pleated jacquard weave. |
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 Prickles |
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| 1999 |
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Glass bead series : Tiny glass beads are glued all over the fabric surface for gleaming effects. |
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 Southern Cross |
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Tsugihagi series : Small swatches and remnants recycled into an embroidered "patchwork." |
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 Tsugihagi |
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| 1998 |
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Washi Print series : Nuno "prints" strings of persimmons in Japanese handmade washi paper onto velvet with durable synthetic glue. |
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 Hoshigaki |
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Double Burn Out series : A double-weave burnt out from both sides. |
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 Käse |
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| 1997 |
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Peek-a-boo series : Caustic-burning to reveal hidden inner layers. |
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 Moss Temple |
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Origami Pleat series : Thermoplastic polyester folded in paper, then heat-set into sharp creases. |
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 Origami Pleats |
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| 1996 |
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Embroidery series : Fanciful all-over stitched patterns by machine. |
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 Carnival |
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 Crazy Stitches |
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| 1995 |
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Salt Shrink series : A traditional Japanese seawater-reactant treatment adapted to the modern textile mill. |
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 Stratus |
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Pleated series : Fabrics pleated utilising the heat-setting properties of polyester. |
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 Mica |
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| 1994 |
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Feather series : "Flight jacket" pockets of sheer silk organdy. |
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 Feather Flurries |
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 Ice Floes |
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| 1993 |
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Velvet series : Luxurious high-pile radically "shaved" for contemporary styles. |
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 Sundial Shell |
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Heat Shrink series : Print fabrics textured by means of thermoplastic industrial textiles. |
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 Jellyfish |
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| 1992 |
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Raggedy series : All things torn and comforting, selectively "distressed" by hand and machine, chemicals and heat. |
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 Agitfab |
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Multilayer series : Double-weaves with handmade paper meshed between layers of silk organdy. |
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 Slipstream |
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| 1991 |
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Rust Dyed series : Making strong "stamped-in" patterns indelible iron. |
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 Scrapyard / Nails |
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Burnout series : Organdy affixed to a cellulose base is partially "burnt out" using chemicals to create a crackled pattern. |
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 Cracked Cloth |
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| 1990 |
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Metallic series : Weaving with fine threads of different metals. |
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 Stainless Relief |
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Lamé series : Aluminium slit yarns crisscrossed over a monofilament core add twice the twist to this resilient fabric. |
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 Rusted Silver |
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| 1989 |
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Spattering series : Borrowing on secret spray-plating technologies from the automotive industry. |
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 Spattering |
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Pin Tuck series : Fabrics with flaps made by winding warp threads around two warp beams. |
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 Pin Tuck |
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| 1988 |
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Multi-layered weaving series : Multi-layered weaving for volumetric effects. |
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 Magic Marker |
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Tubular series : Cut open the tube "pockets" and voilá, seamless bags and T-shirts. |
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 Tube / Diamond・Dots・Triangle |
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| 1987 |
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Melt Off series : Using fibres that dissolve in chemical baths leaving a gossamer opalescence. |
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 Contour Line |
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Double-weave series : Combines the different characteristics of stretch yarns and flat yarns. |
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 Fukuré Block |
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| 1986 |
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Crepe series : Using ultra-spun yarns to create wavy surface textures. |
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 Pygmee ”Sué” |
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Overspun series : Tightly spun cotton threads give extra stretch to fabrics. |
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 Animal Mix |
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| 1985 |
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Sashiko series : Based on traditional Japanese cross-stitching. |
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 Sashiko flower |
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Oridashi series : Arm holes, necks, torsos, waists and hems woven right on the loom, need only be cut to make skirts and T-shirts. |
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 Oridashi skirt |
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| 1984 |
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Basho series : Based on Okinawan banana fibre weaving. |
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 Basho Avanos |
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Unbleached series : Sturdy cotton forms knitted in tubes with bulky cords for volume. |
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 Basket Weave Big Pockets |
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Nuno Corporation founded. Flagship shop opened at AXIS design centre, Roppongi, Tokyo. Computers integral to designing and production from the launch. |
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